Russian, 1862-1942 Russian painter. From 1877 to 1881 and again from 1884 to 1886 he studied at the Moscow School of Painting, Sculpture and Architecture under the Realist painters Vasily Perov and Illarion Pryanishnikov. Between 1881 and 1884 he worked under Pavel Chistyakov (1832-1919) at the Academy of Arts, St Petersburg. At the estate of Savva Mamontov at Abramtsevo he met the most influential painters of the period, then at the epicentre of the development of Russian Art Nouveau. Nesterov sought to combine this style with a deep Orthodox belief; however, in his desire to revive religious art he was influenced more by French Symbolism, particularly by Bastien-Lepage, than by old Russian icon painting. All of Nesterov's canvases are marked by a lyrical synthesis between the figures and their landscape surroundings, as in Hermit (1888-9; Moscow, Tret'yakov Gal.), which shows the stooped figure of an old man against a northern landscape of stunted trees and still water. The large oil painting Vision of Young Bartholomew (1889-90; Moscow, Tret'yakov Gal.) depicts the legend of the childhood of the Russian saint Sergey of Radonezh. A monk appears to the young Bartholomew (the future St Sergius) and prophesies a glorious future for him.   Related Paintings of Nesterov, Mikhail :. | Portrait of Elizaveta Kruglikova | Taking the Veil | The Vision to the Boy Bartholomew | In Small and Secluded Convents | Tzarevich Dmitry |
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Jose del Castillo
1737-1793 Spanish Jose del Castillo Location a Spanish painter and a leader of the artistic movement Illustrious Absolutism. Many of his paintings were done on tapestries. Castillo made many attempts to become Royal Painter for the Spanish monarchy, but he was never successful. This was not due to a lack of talent, but rather because Castillo allied himself with the wrong noble. His patron, the Earl of Floridablanca, feuded bitterly with the Earl of Aranda. The Earl of Aranda was favored by King Carlos III, and as a result, Ram??n Bayeu (Aranda favorite painter) became Royal Painter. After Carlos III died, Castillo tried again to become Royal Painter. Unfortunately, the new monarch, Carlos IV, decided to leave the position of Royal Painter vacant.
Lord, Caroline A.
American, 1860-1927
James Latham
James Latham (c. 1696 - 26 January 1747) was an Irish portrait painter. James Latham was born in Thurles, County Tipperary, Ireland and possibly related to the family of Lathams of Meldrum and Ballysheehan. After some practice of his art, Latham studied for an academic year in Antwerp (1724 - 25) where he became a Master of the Guild of St Luke. He returned to Dublin by 1725, and may have visited England in the 1740s, as the influence of Joseph Highmore, as well as Charles Jervas and William Hogarth, is evident in his work of this period. Anthony Pasquin memorably dubbed Latham "Ireland's Van Dyck". Latham died in Dublin on 26 January 1747. Several of James Latham's portraits are in the National Gallery of Ireland collection in Dublin; one is of the famous MP Charles Tottenham (1694-1758) of New Ross, Co. Wexford, "Tottenham in his Boots" (Cat. No.411) and a second is a portrait of Bishop Robert Clayton (1697-1758) and his wife Katherine.